Brown coal 6.4 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the overcast sky; biomass 3.7 GW appears left-of-centre as a medium-sized industrial plant with a tall stack and woody fuel conveyors; natural gas 3.6 GW occupies the centre as two compact CCGT units with single slim exhaust stacks emitting thin vapour; wind onshore 3.2 GW spans centre-right as a modest row of three-blade turbines on lattice towers, blades barely turning in the near-still air; hard coal 2.5 GW sits right-of-centre as a smaller conventional power station with conveyor belts and a single square cooling tower; hydro 1.6 GW appears at the far right as a concrete dam with a dark reservoir glinting faintly; solar 0.6 GW is represented only by a tiny cluster of aluminium-framed crystalline panels on a hillside, completely unlit and dormant; wind offshore 0.3 GW is suggested by a few tiny turbine silhouettes on the far horizon. Time is 05:00 late May — the sky is deep blue-grey pre-dawn with the faintest pale luminescence along the eastern horizon, no direct sunlight anywhere. Cloud cover is total: a heavy, oppressive, unbroken blanket of low stratus reflecting the amber sodium glow of industrial facilities below. The atmosphere feels dense and heavy, conveying the high electricity price. Spring vegetation — fresh green deciduous trees and grass — is barely visible in the dim artificial light. Sodium streetlights cast pools of warm orange on access roads between the plants. Transmission towers with high-voltage lines recede into the murky distance, symbolising import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — rich impasto brushwork, deep atmospheric perspective, dramatic chiaroscuro between the glowing industrial facilities and the dark overcast sky — rendered with meticulous engineering accuracy for each technology. No text, no labels.