Brown coal 7.1 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers releasing thick white steam plumes into a pitch-black overcast sky; onshore wind 8.3 GW spans the right third as a deep field of three-blade turbines on lattice towers, their red aviation warning lights blinking in the darkness, rotors turning slowly in light wind; natural gas 4.9 GW occupies the center-left as two compact CCGT plants with tall single exhaust stacks and glowing orange sodium lights illuminating their steel structures; biomass 4.2 GW appears center-right as a cluster of smaller industrial facilities with wood-chip silos and modest chimneys, warmly lit from within; hard coal 2.3 GW sits behind the brown coal complex as a smaller conventional station with a single square cooling tower and conveyor belts faintly visible under floodlights; hydro 1.8 GW is suggested in the far background as a concrete dam with spillway, subtly illuminated by distant facility lighting. The sky is completely dark — no twilight, no stars, a heavy 100% overcast ceiling pressing down oppressively, reflecting a faint industrial amber glow from below. Late May vegetation: full-leafed deciduous trees and lush green meadows visible only where artificial light falls, otherwise deep shadow. The atmosphere is heavy and humid at 16.5°C. Transmission pylons with high-voltage lines recede into the darkness toward the horizon, symbolizing import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of deep navy, amber, charcoal, and muted green — visible confident brushwork, atmospheric depth and chiaroscuro, meticulous engineering detail on every turbine nacelle, cooling tower curvature, and steel framework, evoking the sublime grandeur of industrial night. No text, no labels.