Brown coal 8.0 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into blackness, their concrete shells lit by orange sodium lamps at ground level; natural gas 7.8 GW fills the centre-left as a row of compact CCGT plants with tall single exhaust stacks emitting thin heat shimmer, illuminated by industrial floodlights; biomass 4.0 GW appears centre-right as a mid-sized wood-chip power station with a squat smokestack and conveyor belts under halogen lights, woodchip piles visible; hard coal 3.6 GW sits behind it as a single large coal plant with a tall brick chimney and coal bunkers, red aviation warning lights blinking; wind onshore 2.5 GW is rendered as a sparse line of three-blade turbines on a distant ridge to the far right, their nacelle lights blinking red, rotors barely turning in the 4 km/h breeze; wind offshore 0.7 GW is a tiny cluster of turbine silhouettes on the far-right horizon over a dark sea; hydro 1.9 GW appears as a concrete dam and powerhouse nestled in a dark valley at the far right edge, with water gleaming faintly under a single floodlight. The sky is completely dark, deep navy-black, 100% overcast with no stars and no moon visible, an oppressive low cloud ceiling faintly reflecting the orange industrial glow from below. The atmosphere feels heavy and pressing. Lush June vegetation — full-leafed deciduous trees and tall grass — is barely visible in the darkness, suggested only by sodium-light spill. The foreground is a darkened meadow with dew on the grass. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of deep indigo, burnt orange, and charcoal grey, visible impasto brushwork, atmospheric depth with industrial haze, meticulous engineering detail on every turbine nacelle, cooling tower rib pattern, and CCGT exhaust stack. The mood is brooding and monumental, an industrial nocturne. No text, no labels.