Brown coal 7.9 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the darkness; natural gas 7.3 GW fills the centre-left as several compact CCGT plants with tall single exhaust stacks emitting thin heated vapour, lit by orange sodium floodlights; hard coal 3.6 GW appears centre-right as a smaller coal-fired station with rectangular boiler houses and a single wide chimney; wind onshore 4.2 GW is rendered as a line of three-blade turbines on low rolling hills in the right quarter, their aviation warning lights blinking red; wind offshore 1.6 GW is suggested by distant turbines on a dark horizon line at far right; biomass 3.9 GW appears as a mid-sized industrial plant with a wood-chip conveyor and modest stack near the centre; hydro 1.9 GW is a small concrete dam with illuminated spillway at the far lower-right edge. Time is midnight: the sky is completely black with no twilight, no sky glow—only a deep navy-black dome with faint stars mostly obscured by 98% cloud cover rendered as heavy, low, oppressive overcast layers barely visible against the dark. All illumination comes from sodium-orange industrial lighting, glowing furnace windows, and red aviation beacons on turbine nacelles. The atmosphere is heavy and humid at 15.5°C; early-summer foliage on scattered deciduous trees is lush and dark green, barely visible in the artificial light. Light wind barely moves the leaves. Transmission pylons with high-voltage lines recede into the darkness, symbolising import flows. The elevated price is conveyed through a dense, oppressive, low-hanging cloud ceiling pressing down on the industrial landscape. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich, dark palette of deep indigo, amber, and charcoal, visible confident brushwork, dramatic chiaroscuro between artificial light sources and surrounding darkness, atmospheric depth with haze around the cooling tower plumes, meticulous engineering detail on every turbine nacelle, lattice tower, cooling tower paraboloid, and gas-plant exhaust stack. The painting evokes the sublime tension of industrial power against the night. No text, no labels.