Brown coal 7.7 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into blackness; natural gas 6.8 GW fills the centre-left as three compact CCGT plants with tall single exhaust stacks and orange-lit turbine halls; wind onshore 5.7 GW spans the centre-right as a long row of three-blade turbines on lattice towers, their red aviation warning lights blinking against the dark sky; wind offshore 2.0 GW appears in the far right distance as a small group of turbines rising from a black sea horizon with faint navigation lights; biomass 3.7 GW sits in the lower centre as an industrial wood-chip power station with a modest glowing stack and steam; hard coal 3.3 GW appears as a coal-fired station with a single large chimney beside conveyor belts, lit by sodium floodlights; hydro 1.9 GW is a concrete dam structure in the lower right with spillway water faintly catching artificial light. The sky is completely dark, deep navy-black with 97% cloud cover obscuring all stars — a heavy, oppressive overcast ceiling pressing down, reflecting faint amber industrial glow from below. The atmosphere feels weighty and close, hinting at the high electricity price. Mild June vegetation — full-leafed deciduous trees — is barely visible in silhouette at the scene's edges. Sodium streetlights cast pools of orange along an access road. No sunlight, no solar panels, no twilight whatsoever. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of deep blues, burnt umber, and amber highlights — visible impasto brushwork, dramatic chiaroscuro, atmospheric depth with industrial haze. Each energy technology rendered with meticulous engineering accuracy: turbine nacelles with three-blade rotors, lignite hyperbolic cooling towers with correct proportions, CCGT exhaust stacks with heat shimmer. The scene evokes Caspar David Friedrich reimagining an industrial nocturne — sublime, vast, contemplative. No text, no labels.