Brown coal 7.6 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into heavy overcast, connected to open-pit lignite mines in the foreground; wind onshore 8.6 GW fills the centre-left as dozens of three-blade turbines on lattice and tubular towers spread across rolling green hills, blades turning slowly in light breeze; solar 11.0 GW occupies the centre as vast fields of aluminium-framed crystalline silicon panels on gentle slopes, their surfaces dull and reflective-grey under dense cloud, producing modest power without any direct sunlight; natural gas 5.5 GW appears centre-right as several compact CCGT power plants with tall single exhaust stacks emitting thin heat shimmer; hard coal 3.1 GW stands to the right as a traditional coal plant with rectangular boiler houses and a pair of round chimneys trailing grey smoke; biomass 3.9 GW appears as medium-scale wood-chip-fired plants with conical fuel silos and modest stacks near the right edge; hydro 1.9 GW is visible in the far background as a concrete dam set into a forested valley with water spilling. The sky is 97% overcast with a uniform blanket of low stratus clouds in tones of pewter and slate, lit from below the eastern horizon by the faintest pale blue-grey pre-dawn glow of early morning at 07:00—no direct sun visible, no warm light, only diffuse cold illumination. The landscape is lush early-summer green with tall grass and deciduous trees in full leaf at roughly 13°C. The atmosphere feels heavy and oppressive, matching a high electricity price—a brooding, weighty stillness hangs over the industrial panorama. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich impasto brushwork, atmospheric depth and haze, meticulous engineering detail on every turbine nacelle, every cooling tower's parabolic profile, every panel's cell grid, dramatic tonal contrast between the pale steam and the dark sky. No text, no labels.