Solar 28.6 GW dominates the centre-right as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle rolling hills, catching diffuse grey light; brown coal 6.8 GW occupies the far left as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes merging into the overcast sky; wind onshore 5.2 GW appears as a scattered line of three-blade turbines with lattice towers on distant ridges, rotors barely turning; natural gas 4.7 GW sits centre-left as two compact CCGT plants with tall single exhaust stacks emitting thin heat shimmer; biomass 4.0 GW is rendered as a modest wood-clad CHP plant with a low chimney and small steam wisp near a farmstead; hard coal 3.0 GW appears as a coal-fired station with a single large smokestack and conveyor belts beside a coal pile; wind offshore 2.3 GW is visible on the far horizon as tiny turbines standing in a hazy North Sea sliver; hydro 1.9 GW appears as a small concrete dam and penstock built into a forested valley in the middle distance. Time is 9:00 AM on a June morning: full daylight but completely overcast, a uniform heavy grey-white cloud ceiling presses low, no direct sunlight, no shadows, flat diffuse illumination across the entire landscape. The atmosphere feels heavy and oppressive, hinting at the high electricity price. Temperature is mild at 17.5 °C; lush green early-summer vegetation — tall grass, leafy deciduous trees, wildflowers — covers the foreground. Air is nearly still, no motion in tree branches or grass. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich layered colour, visible impasto brushwork, atmospheric depth and aerial perspective — but with meticulous modern engineering detail on every turbine nacelle, PV module frame, cooling tower concrete texture, and CCGT exhaust stack. The composition balances sublime industrial scale against pastoral landscape. No text, no labels.