Wind onshore 15.0 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling dark hills, their red aviation lights blinking; brown coal 7.9 GW occupies the far left as four massive hyperbolic cooling towers emitting thick steam plumes lit from below by sodium-orange industrial lighting; natural gas 5.4 GW appears left-of-centre as a compact CCGT facility with twin exhaust stacks venting pale heat haze, glowing warmly with interior lights; hard coal 3.2 GW sits beside the gas plant as a smaller conventional power station with a single large chimney and conveyor belts visible under floodlights; biomass 4.0 GW is rendered as a mid-ground cluster of industrial biogas facilities with cylindrical digesters and small stacks, modestly lit; hydro 1.8 GW appears as a concrete dam structure in the lower right foreground with water cascading and lit by a few spotlights; wind offshore 1.4 GW is suggested by distant tiny turbine lights on the far horizon line. The sky is completely black with dense 100% cloud cover — no stars, no moon, no twilight glow whatsoever, a heavy oppressive overcast ceiling pressing down to convey the 125.2 EUR/MWh price tension. The season is early June so foreground vegetation is lush and green but visible only where industrial light spills onto grass and trees. Gentle breeze moves the grass slightly. The entire scene is illuminated only by artificial sources: sodium streetlamps along a road in the foreground, warm industrial floodlights on the power stations, and the blinking red nacelle lights of the wind turbines. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrast between the glowing industrial facilities and the surrounding darkness, atmospheric depth with steam and haze diffusing the lights, meticulous engineering accuracy on every turbine blade, cooling tower curve, and exhaust stack. No text, no labels.