Wind onshore 15.5 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling hills, their rotors turning steadily in moderate wind; brown coal 7.6 GW occupies the left quarter as a massive lignite power station with three hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium-orange industrial lights; natural gas 3.5 GW appears centre-left as a compact CCGT plant with twin exhaust stacks venting thin vapour; hard coal 3.1 GW sits beside it as a blocky power station with a tall rectangular chimney; biomass 3.7 GW is rendered as a mid-sized industrial facility with a wood-chip storage dome and a single exhaust stack glowing faintly; wind offshore 2.3 GW appears as distant turbines on the far-right horizon standing in a dark sea barely visible; hydro 1.8 GW is suggested by a concrete dam structure in the middle distance with water gleaming under facility lights. Time is 04:00 — the sky is completely black with no twilight, no sky glow, only deep navy-black darkness overhead with faint stars obscured by 98% cloud cover forming a heavy, oppressive overcast ceiling. All illumination comes from artificial sources: sodium streetlights cast amber pools along access roads, industrial floodlights pick out cooling towers and plant structures, control room windows glow warmly. The atmosphere is heavy and close, temperature mild at 13°C with lush early-summer vegetation — deciduous trees in full leaf, tall grass swaying in the wind — all rendered in dark tones. High electricity price conveyed through a thick, pressing atmosphere with low dense clouds seeming to weigh upon the landscape. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrasts, atmospheric depth receding into misty industrial distance — yet with meticulous engineering accuracy on every turbine nacelle, every cooling tower's hyperbolic curve, every CCGT exhaust stack. No text, no labels.