Wind onshore 25.7 GW dominates the right two-thirds of the canvas as vast ranks of three-blade turbines on lattice towers stretching into deep perspective across rolling fields, rotors spinning vigorously in strong wind; wind offshore 6.3 GW appears in the far right background as a line of larger turbines standing in a dark sea visible at the horizon. Brown coal 4.0 GW occupies the left foreground as a cluster of massive hyperbolic cooling towers emitting thick steam plumes lit from below by orange sodium lamps. Biomass 3.7 GW sits left-centre as a modest industrial facility with rectangular chimneys and wood-chip storage silos, warmly lit by floodlights. Natural gas 2.8 GW appears centre-left as two compact CCGT units with tall single exhaust stacks venting thin white plumes. Hydro 2.0 GW is suggested by a concrete dam structure nestled in a valley in the mid-left background with spillway lights. Hard coal 1.3 GW is a smaller power station with a single stack and conveyor belt barely visible in the deep background left. Time is 1 AM: the sky is completely black with no twilight, no sky glow, only a deep navy-black dome with faint stars occasionally visible between total overcast cloud cover. All structures are illuminated solely by artificial light — sodium-orange streetlamps, white industrial floodlights, and the reddish glow from furnace openings. The atmosphere is heavy and oppressive, dense low clouds pressing down, reflecting the industrial glow in muted amber tones, suggesting the elevated electricity price. Summer vegetation — full-leafed deciduous trees, tall grass — bends visibly in the 22.5 km/h wind. Temperature is mild at 14°C. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette dominated by Prussian blue, lamp black, and warm amber highlights, visible impasto brushwork, atmospheric depth with subtle aerial perspective, meticulous engineering detail on every turbine nacelle, cooling tower curvature, and exhaust stack. The scene evokes Caspar David Friedrich's nocturnal sublime crossed with industrial realism. No text, no labels.