Wind onshore 25.4 GW dominates the scene as vast ranks of three-blade turbines with lattice towers stretching across rolling hills from the centre to the far right, rotors spinning visibly in strong wind; wind offshore 6.0 GW appears as a distant line of larger turbines on the far-right horizon above a dark sea; brown coal 3.8 GW occupies the left foreground as two massive hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium-orange industrial lights; biomass 3.7 GW sits beside the cooling towers as a medium-sized plant with a rectangular smokestack and wood-chip storage visible under floodlights; natural gas 3.0 GW appears as a compact CCGT facility in the left-centre with a single tall exhaust stack and a low clean flame glow; hydro 1.9 GW is rendered as a dam and spillway structure nestled in a valley in the middle distance, with water faintly reflecting artificial light; hard coal 0.9 GW is a smaller industrial building with a single smokestack near the brown coal plant. TIME: 04:00 at night—completely dark sky, deep navy-black, no twilight, no sky glow, no moon visible through the 100% overcast cloud layer. All structures are lit only by sodium streetlights casting orange pools, industrial floodlights, and glowing control-room windows. The atmosphere feels heavy and oppressive from the thick cloud ceiling pressing down, reflecting the moderately high electricity price. Lush green summer vegetation on the hills is barely discernible in the darkness. Wind is visible through bent grass and streaming steam plumes sheared sideways. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen—rich chiaroscuro, dramatic contrast between deep shadow and warm artificial light, visible impasto brushwork, atmospheric depth and sfumato in the distant turbine rows, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and exhaust stack. No text, no labels.