Wind onshore 20.7 GW dominates the right two-thirds of the scene as vast ranks of modern three-blade turbines on lattice and tubular towers stretching across rolling green hills, rotors spinning vigorously in strong wind; solar 27.3 GW occupies the centre-left foreground as enormous fields of aluminium-framed crystalline silicon PV panels on a gentle slope, their surfaces reflecting flat grey light under total overcast; wind offshore 5.5 GW appears in the far background as a line of turbines standing in a grey sea visible through a gap between hills; biomass 3.9 GW is rendered as a mid-ground industrial facility with a wood-chip silo and a modest steam stack; brown coal 2.2 GW appears as a small cluster of hyperbolic cooling towers on the far left with thin, lazy steam plumes; natural gas 1.8 GW sits beside them as a compact CCGT plant with a single exhaust stack and faint heat shimmer; hydro 1.8 GW is a small dam with spillway in a valley at left-centre; hard coal 0.6 GW is a single small stack barely visible behind the brown coal towers. The sky is entirely overcast with a uniform, bright white-grey cloud ceiling—full June daytime diffuse light at 10:00, no direct sun, no shadows, but ample luminosity. The landscape is lush early-summer green, wildflowers dotting meadows, deciduous trees fully leafed in emerald, temperature a mild 18°C. The atmosphere is calm, open, and spacious, reflecting the rock-bottom electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters—Caspar David Friedrich meets industrial modernity—rich layered colour, visible confident brushwork, deep atmospheric perspective, meticulous engineering accuracy on every turbine nacelle, PV module frame, and cooling tower curve. No text, no labels.