Wind onshore 24.1 GW dominates the scene as vast ranks of three-blade turbines with white tubular towers and detailed nacelles stretching across rolling green hills from the centre to the far right, their rotors spinning vigorously in strong wind; wind offshore 4.4 GW appears as a distant cluster of taller turbines rising from a grey North Sea horizon at the far right edge; solar 22.2 GW fills the left-centre foreground as enormous fields of aluminium-framed crystalline silicon PV panels on metal racking, their surfaces reflecting the flat white light of a fully overcast sky — no direct sun, no shadows, just uniform diffuse daylight at 15:00 in June; biomass 3.6 GW is rendered as a mid-ground wood-chip power station with a tall flue and a pile of timber beside conveyor belts; brown coal 2.1 GW appears as two hyperbolic concrete cooling towers at the far left emitting thin wisps of steam; natural gas 1.6 GW sits beside them as a compact CCGT plant with a single slender exhaust stack and modest heat shimmer; hydro 1.8 GW is a concrete dam with spillway visible in a valley in the middle distance; hard coal 0.3 GW is a single small smokestack barely producing any visible emission, nearly dormant at the left edge. The sky is a complete blanket of layered grey-white stratiform cloud, bright and luminous from above — full June daylight but entirely diffuse, no sun disc visible. The atmosphere feels calm, quiet, unhurried — reflecting the near-zero electricity price. Lush early-summer vegetation: green deciduous trees in full leaf, wildflower meadows, crops growing in fields at 19°C. Wind visibly bends tall grasses and ripples through the solar fields. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich layered colour, visible impasto brushwork, atmospheric aerial perspective receding into hazy distance — yet every turbine nacelle, every PV cell grid line, every cooling tower's parabolic curve is rendered with meticulous engineering accuracy. No text, no labels.