Wind onshore 18.9 GW dominates the right two-thirds of the scene as dozens of massive three-blade turbines on lattice and tubular towers stretching across rolling hills into the distance, rotors visibly spinning in strong wind. Wind offshore 5.5 GW appears as a distant cluster of turbines on the far-right horizon over a dark sea. Brown coal 4.4 GW occupies the left foreground as two large hyperbolic cooling towers emitting thick white-grey steam plumes, alongside conveyor belts and a lignite power station complex with red warning lights. Natural gas 4.1 GW sits centre-left as a compact CCGT facility with slender exhaust stacks and a single smaller cooling tower venting wispy steam. Biomass 3.7 GW appears as a mid-ground industrial plant with a wood-chip storage dome and a squat chimney with a faint warm exhaust glow. Hydro 1.6 GW is rendered as a concrete dam structure visible in a valley in the centre-background with illuminated spillway. Hard coal 0.9 GW is a small older power station with a single square stack near the lignite complex, dimly lit. The time is 4:00 AM — the sky is completely black to deep navy, no twilight, no sky glow, stars faintly visible through 86% cloud cover with heavy overcast patches. All structures lit only by sodium-orange streetlights, red aviation warning beacons on turbine nacelles, and warm industrial lighting from plant windows. The atmosphere is heavy and oppressive, hazy with moisture and coal dust, reflecting the elevated electricity price. Temperature is cool at 10°C; spring vegetation is lush but barely visible in darkness, damp with dew. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark palette of navy, amber, ochre, and iron grey — visible impasto brushwork — atmospheric depth with industrial haze — meticulous engineering accuracy on turbine nacelles, three-blade rotors, hyperbolic cooling tower geometry, CCGT exhaust configurations — the mood of Caspar David Friedrich meeting the industrial sublime. No text, no labels.