Wind onshore 17.5 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling green hills, rotors spinning visibly in moderate wind; wind offshore 5.2 GW appears as a distant cluster of larger turbines on the far-right horizon over a dark sea; brown coal 4.5 GW occupies the left foreground as a massive lignite power station with three hyperbolic cooling towers emitting thick white steam plumes rising into the heavy sky; natural gas 4.3 GW sits left-of-centre as two compact CCGT units with tall single exhaust stacks and smaller vapour trails; biomass 3.7 GW is rendered as a mid-ground industrial plant with a wood-chip storage dome and a single modest smokestack; hydro 1.6 GW appears as a concrete dam with a spillway nestled in a valley in the mid-left distance; hard coal 0.9 GW is a smaller coal plant partially obscured behind the lignite station with one slender chimney. The sky is deep blue-grey pre-dawn, the first faint pale light barely touching the eastern horizon, no direct sunlight, no sunshine, no solar panels visible. Stars are fading overhead. The atmosphere feels heavy and oppressive with 94% cloud cover forming a dense low ceiling. The landscape is lush early-summer green, grass damp with dew, temperature cool at 10.5°C. Sodium-orange streetlights glow along a small road in the foreground. Transmission line pylons thread between the power stations and wind farms, their cables disappearing into the gloom. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich colour palette of deep navy, slate grey, warm orange sodium light, and pale steam whites, visible impasto brushwork, atmospheric depth and sfumato in the distant turbines, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.