Solar 30.7 GW dominates the scene as vast rolling fields of aluminium-framed crystalline silicon PV panels stretching across the entire foreground and middle ground, covering nearly 60% of the composition; wind onshore 8.7 GW appears as dozens of three-blade turbines with white tubular towers arrayed along gentle green hills in the right third of the scene; wind offshore 2.1 GW is visible as a distant row of turbines on a hazy horizon line above a sliver of grey North Sea at far right; biomass 3.6 GW is rendered as a cluster of industrial biogas facilities with squat cylindrical digesters and small exhaust stacks in the centre-left middle ground; brown coal 3.1 GW occupies the left background as a pair of massive hyperbolic cooling towers emitting thick white steam plumes; natural gas 1.8 GW sits beside them as a compact CCGT plant with a single tall exhaust stack and thinner vapour trail; hydro 1.8 GW appears as a concrete run-of-river weir with churning white water visible in the lower-left corner; a tiny hard coal installation with a single dark smokestack barely visible behind the lignite towers represents 0.2 GW. Time is 4 PM on a June afternoon: full diffuse daylight but no direct sun, the sky a heavy uniform ceiling of grey-white clouds at 97% cover, light flat and shadowless, giving a slightly oppressive atmosphere reflecting the 72.6 EUR/MWh price. Temperature 16.8°C with lush early-summer foliage—bright green deciduous trees, wildflower meadows between panel rows, tall grass barely moving in nearly still air (2.4 km/h). Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich meets industrial modernity—rich layered colour, visible confident brushwork, deep atmospheric perspective with haze softening distant cooling towers, meticulous engineering detail on turbine nacelles, PV cell grid patterns, and cooling tower reinforcement ribs. No text, no labels.