Brown coal 5.7 GW dominates the left quarter as three massive hyperbolic cooling towers with thick white-grey steam plumes rising into darkness, flanked by conveyor belts of lignite; natural gas 5.7 GW fills the centre-left as two compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer; biomass 4.2 GW appears centre-right as a cluster of smaller industrial plants with wood-chip silos and modest chimneys trailing faint smoke; wind onshore 2.6 GW is rendered as a sparse row of three-blade turbines on a distant ridge, rotors barely turning in negligible wind; solar 2.2 GW appears as a modest field of aluminium-framed crystalline silicon panels in the middle distance, reflecting only the dull glow of artificial light — no sunshine; hydro 1.9 GW is a concrete run-of-river dam with water spilling over a weir in the right foreground; hard coal 1.5 GW sits behind the hydro station as a single stack with a red aviation light; wind offshore 0.6 GW is suggested by a faint silhouette of a few turbines on the far horizon. TIME: 20:00 in June in Germany — the sky is fully dark, deep navy to black, no twilight glow remaining; the scene is lit entirely by sodium streetlamps casting amber pools, glowing industrial windows, red warning lights atop stacks and towers, and the incandescent orange of furnace glow from the coal plant. The atmosphere is heavy and oppressive, a thick blanket of 100% cloud cover pressing down invisibly in the darkness, conveying a sense of high electricity prices and strained supply. Temperature is mild at 17.6°C; summer foliage on scattered deciduous trees is lush and green where caught by artificial light. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of amber, charcoal, deep navy, and umber — visible impasto brushwork, dramatic chiaroscuro, atmospheric depth receding into haze and darkness. Each energy technology rendered with meticulous engineering accuracy: turbine nacelles, three-blade rotors on lattice towers, aluminium PV panel frames, lignite hyperbolic cooling towers with realistic concrete texturing, CCGT exhaust stacks with heat-distortion halos. The painting evokes Caspar David Friedrich reimagined for the industrial age — sublime, brooding, monumental. No text, no labels.