Brown coal 6.2 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky; natural gas 6.0 GW fills the centre-left as a row of compact CCGT plants with tall single exhaust stacks emitting thin heat shimmer, lit by sodium-orange industrial floodlights; biomass 3.7 GW appears centre-right as a mid-sized power station with a timber-clad fuel storage hall and a single smokestack, warmly lit from within; hard coal 2.7 GW sits to the right as a conventional coal plant with conveyor belts and a pair of shorter stacks, bathed in harsh white security lighting; hydro 1.9 GW is rendered as a concrete dam structure in the middle distance with spillway lights reflecting in dark water; wind onshore 1.3 GW appears as a small group of three-blade turbines on a distant ridge, their rotors barely turning, red aviation warning lights blinking; wind offshore 0.5 GW is a faint cluster of turbine lights on the far horizon line. The time is 4 AM: the sky is completely black, no twilight, no glow — a deep navy-to-black overcast ceiling presses down oppressively with 100% cloud cover, no stars visible. The atmosphere is heavy and humid at 10°C, with dew glistening on metal surfaces and green early-summer grass in the foreground barely visible under lamplight. High-voltage transmission pylons recede into darkness toward the borders, suggesting the massive import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich chiaroscuro, visible impasto brushwork, deep atmospheric perspective — but with meticulous engineering accuracy on every turbine nacelle, cooling tower fluting, CCGT stack, and power line insulator. The mood is solemn and industrial, with warm artificial lights against the oppressive dark canopy conveying high-price tension. No text, no labels.