Brown coal 6.2 GW dominates the left third of the scene as a massive lignite power station with three hyperbolic cooling towers emitting thick white steam plumes into the heavy overcast sky; natural gas 5.8 GW occupies the centre-left as two compact CCGT units with tall single exhaust stacks releasing thin heat shimmer; biomass 3.7 GW appears centre-right as a wood-chip-fed industrial plant with a stockpile of timber and a modest smokestack; hard coal 2.2 GW sits behind the gas plant as a smaller conventional boiler house with conveyor belts and a coal bunker; hydro 1.9 GW is rendered as a concrete dam and spillway in the middle distance nestled in a forested valley; wind onshore 1.4 GW appears as three widely spaced three-blade turbines on a ridge, rotors barely turning in near-still air; wind offshore 0.6 GW is suggested by distant turbines on a far horizon line; solar 0.8 GW is a small array of aluminium-framed crystalline silicon panels in the foreground, their surfaces dark and reflecting only grey sky, producing almost nothing. Pre-dawn lighting at 05:00 in June: deep blue-grey sky with the faintest pale luminance on the eastern horizon, no direct sunlight, the landscape mostly dark with sodium-orange industrial lighting illuminating the power stations, steam plumes faintly lit from below. The sky is completely overcast at 100% cloud cover, heavy and oppressive, pressing down on the scene to reflect the 126 EUR/MWh price. Temperature is cool at 10°C; lush green early-summer vegetation on hillsides glistens with morning dew. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich chiaroscuro, visible textured brushwork, atmospheric depth with mist settling in the valley, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and exhaust stack. The mood is sombre, industrial, quietly monumental. No text, no labels.