Wind onshore 15.1 GW dominates the right two-thirds of the composition as dozens of tall three-blade turbines with white lattice towers stretching across rolling hills, rotors visibly turning in moderate wind; wind offshore 4.4 GW appears as a distant cluster of turbines on the far-right horizon above a dark sea; brown coal 4.4 GW occupies the left foreground as a pair of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the night sky, lit from below by orange sodium lamps; biomass 3.6 GW is rendered as a mid-sized industrial facility with a tall stack and a wood-chip storage dome, warmly lit by yellow industrial lighting, positioned left of centre; natural gas 3.0 GW appears as a compact CCGT plant with a single tall exhaust stack emitting a thin heat shimmer, situated centre-left with metallic surfaces catching artificial light; hard coal 1.6 GW is a smaller power station with a single squat cooling tower and conveyor belt, dimly lit, tucked behind the gas plant; hydro 1.6 GW is suggested by a concrete dam wall in the middle distance with water glinting under floodlights. The sky is completely dark, deep navy-black, star-studded with a clear atmosphere—zero cloud cover. No twilight, no sky glow on the horizon. A mild June night with lush green vegetation barely visible in the peripheral glow of the industrial facilities. The atmosphere feels heavy and slightly oppressive despite the clear sky, reflecting the elevated electricity price. Painted in the style of a highly detailed 19th-century German Romantic oil painting—rich impasto brushwork, dramatic chiaroscuro between the dark landscape and the glowing industrial installations, atmospheric depth conveyed through layered darkness receding to the horizon, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and exhaust stack. No text, no labels.