Wind onshore 16.4 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling hills into darkness; wind offshore 4.8 GW appears in the far background as a cluster of turbines standing in a dark sea glimpsed between hills; brown coal 4.4 GW occupies the left foreground as a massive lignite power station with three hyperbolic cooling towers emitting thick steam plumes lit from below by sodium-orange industrial lighting; biomass 3.6 GW sits as a mid-sized wood-chip-fired plant with a single tall stack and glowing conveyor belts adjacent to the coal station; natural gas 2.9 GW appears as a compact CCGT facility with twin exhaust stacks and a smaller cooling unit, positioned centre-left with bluish gas flares; hydro 1.6 GW is rendered as a concrete dam with spillway visible in a valley at centre-right, floodlights reflecting off dark water; hard coal 1.2 GW is a smaller industrial building with a single squat cooling tower at far left. The sky is completely black with heavy 100% cloud cover blocking all stars and moon — no twilight, no sky glow, pure deep-navy-to-black overcast darkness. All illumination comes from artificial sources: sodium streetlamps casting orange pools along roads, industrial floodlights on plant structures, glowing windows in control buildings, red aviation warning lights on turbine nacelles. Green summer vegetation on hills is barely visible in the ambient industrial glow. The atmosphere feels heavy and oppressive, humid summer air pressing down, steam from cooling towers merging with low clouds. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, dramatic chiaroscuro between artificial light and enveloping darkness, atmospheric depth with mist and steam, meticulous engineering detail on all turbine nacelles, cooling tower geometries, and plant infrastructure. No text, no labels.