Solar 35.7 GW dominates the scene as an immense foreground and middle-ground expanse of aluminium-framed crystalline silicon PV panels stretching across gently rolling green summer fields, covering roughly 60% of the canvas. Wind onshore 13.4 GW fills the right third and background as dozens of tall three-blade turbines on lattice and tubular towers, blades turning gently in moderate breeze across hillsides. Wind offshore 2.3 GW appears as a faint line of turbines on the far horizon. Biomass 3.4 GW is rendered as a modest wood-chip power plant with a single stack emitting thin pale exhaust at the left-center edge. Brown coal 2.2 GW appears in the far left background as two hyperbolic cooling towers with wispy steam plumes rising into the overcast sky. Natural gas 1.5 GW sits as a compact CCGT plant with a single polished exhaust stack beside the cooling towers. Hydro 1.3 GW is suggested by a small dam and reservoir glinting in the mid-left distance. The sky is entirely overcast with a thick, luminous white-grey cloud layer — full daylight at 14:00 in June, bright but completely diffuse, no shadows, no direct sun visible, yet the landscape is well-illuminated with soft even light. The atmosphere feels calm, open, and spacious despite the clouds, reflecting the deeply negative electricity price. Temperature is a pleasant 19°C: lush green deciduous trees in full summer foliage, wildflowers dotting meadow edges, fresh grass. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial modernity — rich saturated greens and silver-greys, visible impasto brushwork, meticulous atmospheric depth, each energy technology rendered with correct engineering detail: turbine nacelles, rotor hubs, PV cell grid patterns, cooling tower parabolic curves, CCGT exhaust geometry. No text, no labels.