Wind onshore 16.3 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white tubular towers and detailed nacelles stretching across rolling green hills; solar 16.5 GW fills the foreground as vast fields of aluminium-framed crystalline silicon PV panels angled southward, their surfaces reflecting the grey-white overcast sky; wind offshore 4.1 GW appears in the distant background as a line of turbines rising from a hazy North Sea horizon; biomass 3.7 GW is rendered as a mid-ground industrial plant with a tall stack emitting thin white exhaust and wood-chip storage silos; brown coal 2.4 GW occupies the far left as two hyperbolic cooling towers with lazy steam plumes drifting in still air, beside a conveyor belt carrying lignite; hydro 1.5 GW appears as a concrete run-of-river weir with churning white water in the middle distance; natural gas 1.5 GW is a compact CCGT plant with a single sleek exhaust stack and modest heat shimmer beside the cooling towers. The lighting is dusk at 18:00 in June — the sun sits low behind a 95% overcast ceiling, casting a diffuse warm-orange glow along the lower horizon while the upper sky darkens to grey-blue; no direct sunlight breaks through. The air is still at 9 km/h, turbine blades turning slowly. Lush midsummer vegetation — tall grasses, wildflowers, full deciduous canopies — in deep greens. The atmosphere is slightly heavy and humid, reflecting a moderate electricity price. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, layered colour, visible impasto brushwork, atmospheric aerial perspective — with meticulous engineering accuracy on every turbine nacelle, panel frame, cooling tower curvature, and industrial detail. No text, no labels.