Brown coal 6.8 GW dominates the left third of the scene as a massive lignite power station with three hyperbolic cooling towers emitting thick pale steam plumes lit from below by sodium-orange industrial floodlights; natural gas 4.9 GW occupies the centre-left as a compact CCGT plant with twin exhaust stacks releasing thin heat shimmer against the dark sky; wind onshore 6.2 GW fills the centre-right as a staggered row of tall three-blade turbines on lattice towers, rotors turning slowly, their red aviation warning lights blinking; wind offshore 3.4 GW appears in the far right distance as a cluster of turbines on the dark horizon above a faintly reflective sea; biomass 4.0 GW sits in the right foreground as a wood-chip-fired plant with a low smokestack and warm amber-lit loading bay with a conveyor belt; hydro 1.5 GW is suggested by a small illuminated dam structure nestled in a valley in the mid-ground; hard coal 1.6 GW appears as a smaller coal-fired station behind the lignite complex with a single cooling tower and conveyor gantry. The sky is completely black with no twilight or sky glow — a deep navy-to-black dome scattered with faint stars, perfectly clear with 1% cloud cover. The atmosphere feels heavy and oppressive despite the clear sky, reflecting the high electricity price — a subtle amber-brown industrial haze clings low to the ground around the thermal plants. The landscape is a gentle German lowland with June-green deciduous trees barely visible in the darkness, illuminated only by spill light from the plants. Sodium streetlights trace a road winding between the facilities. All rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich impasto brushwork, dramatic chiaroscuro between the deep night sky and the glowing industrial installations, atmospheric depth receding into darkness, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and exhaust stack. No text, no labels.