Brown coal 6.9 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers billowing thick white-grey steam into the dark sky; natural gas 4.9 GW occupies the centre-left as two compact CCGT plants with tall single exhaust stacks venting heat shimmer and faint orange-lit flue gases; biomass 3.6 GW appears centre-right as a cluster of industrial biogas facilities with cylindrical digesters and squat chimneys glowing warm amber from sodium lamps; wind onshore 3.0 GW and offshore 2.9 GW span the right third as a line of three-blade turbines on lattice towers, their red aviation warning lights blinking against the blackness, with distant offshore turbines visible as tiny red dots near the horizon; hard coal 1.7 GW sits as a smaller coal plant with a single cooling tower behind the gas units; hydro 1.5 GW is suggested by a concrete dam structure at the far right edge with floodlit spillway. The sky is completely dark, deep navy-black, 1 AM in June — no twilight, no sky glow, only a partially cloud-covered sky at 55% overcast dimly revealing stars in gaps. The atmosphere is heavy and oppressive, reflecting 134 EUR/MWh pricing — thick industrial haze hangs low, lit from below by orange and yellow sodium streetlights and the incandescent glow of furnace interiors. Temperature is a mild 12.6°C; early-summer vegetation — lush green deciduous trees and grass — is barely visible in the artificial light. Light wind barely moves tree leaves. Foreground shows a damp road reflecting facility lights. High-tension transmission lines with lattice pylons cross the middle ground, symbolizing the heavy import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of deep blues, blacks, warm oranges, and industrial yellows, visible impasto brushwork, atmospheric depth with haze layers receding into darkness, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.