Brown coal 6.9 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, lit from below by orange sodium-vapor floodlights; natural gas 4.9 GW occupies the centre-left as two compact CCGT power blocks with tall single exhaust stacks emitting thin heat shimmer, illuminated by harsh industrial spotlights; hard coal 2.2 GW appears centre-right as a smaller coal plant with a single rectangular stack and conveyor belt silhouette; wind onshore 3.7 GW fills the right third as a line of five three-blade turbines on lattice towers on a dark ridge, their red aviation warning lights blinking; wind offshore 3.1 GW is suggested in the far distance as tiny red lights dotting the horizon over a faintly visible dark sea; biomass 3.5 GW appears as a modest industrial facility with a wood-chip storage dome and a single squat chimney glowing warmly near the centre; hydro 1.5 GW is represented by a small dam structure with water spilling, visible at the far right edge, lit by a single floodlight. The sky is completely dark, deep navy-black, 100% overcast with no stars visible, no twilight glow, no hint of dawn — pure nighttime darkness. The atmosphere feels heavy and oppressive, reflecting the high electricity price. A cool 8.7°C June night: lush early-summer vegetation — dense dark green foliage on deciduous trees, tall grass — is barely visible in the sodium light spill. Almost no wind at ground level: grass is still, smoke and steam rise vertically. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark tones of Caspar David Friedrich meeting industrial sublime — with visible confident brushwork, atmospheric depth and chiaroscuro, meticulous engineering detail on every turbine nacelle, cooling tower ridge, and exhaust stack. No text, no labels.