Brown coal 6.9 GW dominates the left quarter as four massive hyperbolic cooling towers with thick white-grey steam plumes rising into heavy overcast; natural gas 4.9 GW occupies the centre-left as two compact CCGT plants with tall slender exhaust stacks emitting thin heat shimmer; hard coal 2.3 GW appears centre as a single large coal plant with a wide rectangular chimney and conveyor belts of dark fuel; wind onshore 4.3 GW fills the centre-right as a scattered line of three-blade turbines on lattice towers, rotors nearly still in the calm air; wind offshore 3.0 GW is suggested in the far right distance as ghostly turbine silhouettes standing in a grey North Sea glimpsed through a gap in the terrain; solar 4.7 GW appears as rows of aluminium-framed crystalline silicon panels on a gentle hillside in the right foreground, their surfaces reflecting only dull grey sky with no sunlight; biomass 3.6 GW is rendered as a mid-ground timber-clad biomass CHP plant with a modest smokestack and woodchip storage dome; hydro 1.5 GW appears as a small concrete run-of-river weir and powerhouse at a river in the lower foreground. The lighting is pre-dawn at 06:00 in June: a deep blue-grey sky with the faintest pale luminance along the eastern horizon, no direct sunlight, the landscape lit by diffuse twilight and sodium-orange industrial lamps on the power stations. The sky is completely overcast at 100% cloud cover—heavy, low, oppressive stratus pressing down—conveying the elevated energy price through atmospheric weight. Temperature 8.7°C: lush green early-summer foliage but with a cool dampness, dew on grass, mist clinging to the river. Wind 1.3 km/h: no movement in trees or turbine blades, smoke and steam rising vertically. High-voltage transmission lines cross the scene diagonally, symbolising the heavy import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich's brooding atmosphere meets industrial realism—rich saturated colour in the shadows, visible impasto brushwork in the steam and clouds, atmospheric depth with layers receding into haze, meticulous engineering detail on every turbine nacelle, cooling tower, and panel frame. No text, no labels.