Wind onshore 10.1 GW dominates the right third of the scene as dozens of tall three-blade wind turbines with lattice towers and white nacelles stretching across rolling green hills; brown coal 7.1 GW fills the left quarter as massive hyperbolic cooling towers emitting thick steam plumes, lit from below by amber industrial lights, with conveyor belts of dark lignite visible; natural gas 7.7 GW occupies the center-left as a cluster of compact CCGT power plants with tall single exhaust stacks venting faint heat shimmer, illuminated by sodium-vapor facility lighting; hard coal 2.4 GW appears as a smaller coal-fired station with a rectangular chimney stack and coal yard in the mid-left; biomass 4.2 GW is rendered as a medium-sized industrial plant with a timber-pile yard and modest smokestack behind the gas units; wind offshore 1.3 GW is visible as a distant row of turbines on a dark horizon line at far right; hydro 1.7 GW appears as a concrete dam with spillway faintly glowing in the middle distance. The sky is completely dark — deep navy-to-black, no twilight glow, no sunset remnant, full 100% cloud cover creating a heavy oppressive overcast ceiling barely distinguishable from the blackness above. Temperature is mild at 19°C: lush midsummer foliage on deciduous trees, tall grass. Wind at 14.9 km/h causes visible motion in turbine blades and sways treetops gently. The atmosphere feels heavy and expensive — thick humid air, industrial haze caught in cones of sodium streetlight, a brooding tension reflecting 185.8 EUR/MWh pricing. No solar panels anywhere, no sunshine. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich dark palette of deep blues, blacks, warm amber and ochre industrial light, visible impasto brushwork, atmospheric depth and chiaroscuro contrast, meticulous engineering detail on every turbine nacelle, cooling tower hyperbolic curve, and CCGT exhaust stack. A masterwork industrial nocturne. No text, no labels.