Wind onshore 17.4 GW dominates the right two-fifths of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling green hills, blades turning slowly in light wind; brown coal 7.5 GW occupies the left quarter as a massive lignite power station with four hyperbolic cooling towers emitting thick pale steam plumes; wind offshore 3.8 GW appears as a distant row of turbines on the far-right horizon above a sliver of grey North Sea; natural gas 3.7 GW is rendered as two compact CCGT units with slender exhaust stacks and thin heat shimmer in the centre-left; biomass 3.8 GW sits beside them as a cluster of low industrial buildings with a wood-chip storage dome and a single squat chimney; solar 2.8 GW appears as a modest field of aluminium-framed crystalline silicon panels in the centre foreground, their surfaces dull and reflectionless under heavy cloud; hard coal 2.3 GW is a smaller coal plant behind the lignite station with a single square stack trailing dark smoke; hydro 1.7 GW is a concrete run-of-river dam on a small river in the lower-left foreground. Time of day is 06:00 dawn in June — the sky is a deep blue-grey pre-dawn light with no direct sun, the horizon showing only the faintest pale steel-blue glow beneath an unbroken 100% overcast ceiling that presses down oppressively, reflecting the high electricity price. Temperature is 13.4°C and vegetation is lush early-summer green but muted in the dim light. The atmosphere is heavy, humid, and brooding. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — Caspar David Friedrich's atmospheric depth merged with Adolph Menzel's industrial precision — rich dark colour palette of slate blues, moss greens, and ash greys, visible confident brushwork, meticulous engineering detail on every turbine nacelle, cooling tower, and panel frame. No text, no labels.