Wind onshore 10.2 GW dominates the right half of the scene as dozens of towering three-blade turbines on lattice and tubular steel towers, their rotors turning slowly in light wind, scattered across rolling farmland; wind offshore 3.5 GW appears as a distant cluster of turbines on the far-right horizon over a dark sea glimpsed through a valley gap. Brown coal 6.6 GW occupies the left foreground as a massive lignite power station with four hyperbolic cooling towers emitting thick steam plumes that merge into the overcast sky, lit from below by sodium-orange industrial floodlights. Natural gas 4.5 GW sits centre-left as two compact CCGT blocks with slim exhaust stacks venting thin heat shimmer, their metal housings gleaming under facility lighting. Biomass 4.0 GW appears centre-right as a cluster of smaller industrial buildings with a wood-chip storage dome and a single modest smokestack. Hard coal 1.9 GW is visible behind the lignite plant as a smaller station with a single tall chimney and conveyor belt. Hydro 1.9 GW is suggested by a concrete dam structure in the mid-ground valley with white water spilling over a spillway, floodlit. Time is 23:00 on a June night: the sky is completely dark, deep navy-black, no twilight, no stars visible through 94% cloud cover, giving a heavy oppressive overcast ceiling. All illumination comes from artificial sources — sodium streetlights casting amber pools along a road in the foreground, industrial floodlights on the power stations, red aviation warning lights blinking atop turbine nacelles and smokestacks. Vegetation is lush early-summer green visible where light touches it — tall grass, deciduous trees in full leaf. The atmosphere is heavy, humid, slightly hazy, reflecting the high electricity price with an oppressive density in the air. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, but depicting an industrial nocturne — rich dark tones of indigo, amber, and charcoal, visible impasto brushwork, atmospheric depth with layers of steam and low cloud, meticulous engineering detail on every turbine nacelle, cooling tower fluting, and exhaust stack. No text, no labels.