Wind onshore 12.4 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling hills, their red aviation lights blinking in the darkness; wind offshore 4.6 GW appears as a distant cluster of turbines on the far-right horizon over a dark sea glimpsed between hills; brown coal 6.5 GW occupies the left quarter as massive hyperbolic cooling towers with thick white steam plumes lit from below by sodium-orange industrial floodlights; natural gas 4.0 GW sits centre-left as two compact CCGT plants with slender exhaust stacks emitting thin heat shimmer, flanked by lit control buildings; hard coal 1.9 GW appears as a single smaller power station with a rectangular chimney and coal conveyor, glowing dimly behind the gas plant; biomass 3.8 GW is rendered centre-right as a cluster of medium-sized industrial facilities with cylindrical digesters and low stacks, lit by warm interior light spilling from windows; hydro 1.8 GW appears in the foreground as a concrete dam with water cascading into a dark river, lit by a few spotlights. The sky is completely dark, deep navy-black with no twilight glow, scattered clouds at 55% cover occasionally revealing faint stars. The atmosphere is heavy and oppressive, haze hanging over the industrial areas suggesting the elevated 116.9 EUR/MWh price. Temperature is a mild 11 °C so vegetation is lush early-summer green, barely visible in the artificial light — deciduous trees in full leaf along the river. Moderate wind at 12 km/h sets the turbine blades in motion and ripples the river surface. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich, dark tonal palette with dramatic chiaroscuro, visible impasto brushwork, atmospheric depth with layers of industrial haze, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.