Brown coal 7.7 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by amber sodium lamps; natural gas 6.2 GW fills the centre-left as angular CCGT plant blocks with slender single exhaust stacks venting pale heat shimmer into the black sky; onshore wind 5.9 GW spreads across the centre-right as a line of tall three-blade turbines on lattice towers, their rotors turning slowly, red aviation warning lights blinking; biomass 3.7 GW appears as a mid-sized industrial plant with a rectangular stack and wood-chip conveyors, warmly lit windows glowing; hard coal 2.6 GW sits behind the lignite complex as a smaller power station with a single large chimney trailing thin smoke; hydro 1.7 GW is represented by a concrete dam structure at the far right with faintly illuminated spillways. The sky is completely dark — deep black to navy, 100% cloud cover blocking all stars, no twilight, no sky glow — only artificial light sources illuminate the scene. The atmosphere is heavy and oppressive, reflecting a high electricity price; low-hanging clouds absorb the orange industrial glow from below, creating a brooding amber haze above the facilities. Temperature is a mild 10.9°C in early summer; lush dark-green foliage on deciduous trees lines the foreground, barely visible in the sodium light. Rolling central-German hills recede into blackness. A river in the mid-ground reflects the amber and white lights of the power plants. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of deep umber, Prussian blue, and warm amber; visible impasto brushwork; atmospheric depth with layered fog and industrial haze; meticulous engineering detail on every turbine nacelle, cooling tower flute, and exhaust stack. No text, no labels.