Solar 35.5 GW dominates the right two-thirds of the scene as vast rolling fields of aluminium-framed crystalline silicon PV panels stretching to the horizon across gentle green farmland; brown coal 5.4 GW appears at the far left as a cluster of massive hyperbolic cooling towers trailing thick white steam plumes into the grey sky; wind onshore 6.5 GW rises behind the solar fields as a scattered line of three-blade turbines on lattice and tubular towers, blades turning very slowly in light breeze; natural gas 3.4 GW occupies the centre-left as a compact modern CCGT plant with twin exhaust stacks emitting thin heat shimmer; hard coal 1.9 GW sits beside the lignite complex as a smaller conventional power station with a single tall smokestack and coal conveyor; biomass 3.7 GW appears as a modest wood-clad CHP facility with a short flue near the village edge; hydro 2.1 GW is represented by a small run-of-river weir and powerhouse on a creek in the mid-ground. Time is 11:00 AM in June — full daylight but completely overcast: the sky is a uniform heavy blanket of pale grey stratus with no blue patches and no visible sun disc, casting flat diffuse shadowless light across the entire landscape. The atmosphere feels mildly oppressive and humid reflecting a 77 EUR/MWh price. Temperature is a cool 13.5 °C for June: the vegetation is lush deep green but people in the distant village wear light jackets. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich layered colour, visible confident brushwork, atmospheric depth and aerial perspective, meticulous engineering detail on every turbine nacelle, every panel frame, every cooling tower's parabolic curve and concrete texture. No text, no labels, no human figures in the foreground.