Brown coal 6.3 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into an overcast sky; wind onshore 7.5 GW spans the centre-right as dozens of three-blade turbines on lattice and tubular towers across rolling green hills, blades turning moderately in a 13 km/h breeze; solar 6.8 GW appears in the centre-left as large fields of aluminium-framed crystalline silicon panels catching the last faint amber glow from the low western horizon, their surfaces mostly dull under 89% cloud cover; natural gas 5.1 GW occupies the near-centre as two compact CCGT plants with slim exhaust stacks and small heat-shimmer plumes; biomass 3.9 GW appears as a mid-sized industrial facility with a wood-chip fuel yard and a single smokestack with thin pale exhaust; hydro 2.1 GW is depicted as a concrete dam with spillway set into a forested valley in the mid-distance; wind offshore 1.8 GW appears on the far-right horizon as a faint line of turbines standing in a grey sea; hard coal 1.7 GW shows as a smaller conventional power station with a single large chimney and coal conveyor belts near the lignite complex. The sky is a heavy, oppressive blanket of 89% grey-to-charcoal cloud, the lower western horizon showing only a thin strip of deep orange-red dusk glow rapidly fading — the upper sky is already deep slate-blue transitioning toward night. Vegetation is lush mid-June green, meadows and deciduous trees in full leaf at 16°C. The atmosphere feels weighty and expensive, the thick cloud pressing down. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich saturated colour, visible confident brushwork, deep atmospheric perspective, meticulous engineering accuracy on every turbine nacelle, every cooling tower rib, every PV module frame. No text, no labels.