Wind onshore 13.4 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers stretching across rolling hills, rotors visibly turning in moderate wind; wind offshore 3.9 GW appears in the far right background as a cluster of turbines on a dark sea horizon with red aviation warning lights blinking. Brown coal 6.1 GW occupies the left quarter as three massive hyperbolic cooling towers emitting thick pale steam plumes lit from below by sodium-orange industrial lighting. Biomass 3.7 GW appears as a mid-sized industrial plant with a rectangular boiler building and a single stack with a steady warm exhaust, positioned left of centre. Natural gas 3.4 GW sits at centre as two compact CCGT units with slim exhaust stacks and visible heat-shimmer plumes. Hydro 2.0 GW is rendered as a concrete dam with spillway in the centre-left middle distance, faintly lit. Hard coal 1.8 GW appears as a smaller coal plant with a single square cooling tower and conveyor belts, tucked behind the gas units. Time is 02:00 at night: the sky is completely black with heavy 96% overcast — no stars, no moon, no twilight glow whatsoever, only a deep charcoal-navy ceiling of cloud faintly reflecting the industrial glow below. The atmosphere feels heavy and oppressive, hinting at the high electricity price. Temperature is a cool 10.9°C; early summer vegetation — lush green grass and deciduous trees in full leaf — is barely visible, washed in amber sodium streetlight. Foreground shows a wet country road with puddle reflections of distant plant lights. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, moody colour palette of deep indigo, amber, and slate grey, visible impasto brushwork, atmospheric depth and sfumato in the steam plumes, meticulous engineering detail on turbine nacelles, lattice transmission towers with red warning lights, aluminium-clad CCGT housings, and hyperbolic concrete cooling tower surfaces. The scene evokes Caspar David Friedrich reimagining an industrial nocturne. No text, no labels.