Wind onshore 16.2 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and detailed nacelles stretching across rolling green hills, their rotors turning briskly in moderate wind. Brown coal 6.2 GW occupies the left foreground as a cluster of massive hyperbolic cooling towers emitting thick pale steam plumes, flanked by conveyor belts carrying dark lignite and a sprawling open-pit mine edge. Solar 11.8 GW appears in the centre-left as extensive rows of aluminium-framed crystalline silicon photovoltaic panels on flat farmland, their surfaces reflecting only dull grey light with no sun glint. Wind offshore 3.0 GW is visible on the distant left horizon as a row of turbines rising from a grey North Sea horizon line. Natural gas 3.2 GW sits in the centre as two compact CCGT units with tall single exhaust stacks and modest heat-shimmer exhaust. Hard coal 2.5 GW appears as a smaller conventional power station with a single large smokestack and coal yard beside the gas plant. Biomass 4.0 GW is rendered as a mid-sized industrial facility with wood-chip storage domes and a modest plume, positioned between the coal plant and the wind turbines. Hydro 1.9 GW appears as a concrete run-of-river weir with spillway on a small river in the middle distance. The sky is entirely overcast at 100% cloud cover — a heavy, uniform iron-grey ceiling pressing low, with no break of blue or sunlight, creating a flat diffuse daylight consistent with 09:00 in June. Direct solar radiation is essentially zero, so no shadows are cast. The atmosphere feels oppressive and thick, reflecting the high electricity price. Vegetation is lush mid-June green — tall grasses, deciduous trees in full leaf, wildflowers — but muted in colour under the heavy clouds. Temperature is cool at 12°C, suggesting damp air and a sense of chill. The landscape is a broad German lowland panorama. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters like Caspar David Friedrich and Carl Blechen — rich impasto brushwork, atmospheric depth, careful tonal gradation from warm earthy foreground browns and greens to cool grey distances, dramatic yet technically precise industrial elements integrated into the natural landscape. No text, no labels, no people in foreground.