Solar 38.8 GW dominates the foreground and middle distance as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle rolling farmland, their blue-grey surfaces reflecting a uniformly overcast white sky; wind onshore 16.6 GW fills the midground and right half of the composition as dozens of tall three-blade turbines on lattice and tubular towers, blades visibly spinning in moderate wind, scattered across green summer meadows and low forested hills; wind offshore 2.8 GW appears on the far left horizon as a distant cluster of offshore turbines rising from a hazy river or estuary; biomass 3.6 GW is rendered as a medium-sized industrial facility with a wooden-chip storage dome and a single smokestack emitting thin white vapour, positioned centre-left; brown coal 1.4 GW appears as a single hyperbolic cooling tower with a modest steam plume in the deep background left; natural gas 1.2 GW is a compact CCGT plant with a slender exhaust stack beside the cooling tower; hydro 1.4 GW is suggested by a small concrete dam and reservoir nestled in a wooded valley at far right. The lighting is full midday daylight under 100% cloud cover — bright but completely diffuse, no shadows, no visible sun, a flat luminous white-grey sky giving even illumination across the entire landscape. The temperature of 19.7°C is expressed in lush green deciduous foliage, wildflowers, and tall grass swaying in the 26 km/h breeze. The deeply negative electricity price is conveyed by an open, calm, almost weightless atmosphere — spacious sky, serene pastures, a sense of overabundance and quietude. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich layered colour, visible confident brushwork, atmospheric aerial perspective, meticulous engineering detail on every turbine nacelle, every PV cell row, every cooling tower curve — a masterwork panoramic industrial landscape. No text, no labels.