Solar 35.1 GW dominates the scene as a vast foreground and middle-ground expanse of crystalline silicon PV panels stretching across rolling green summer fields, their aluminium frames glinting under partially cloudy but bright afternoon light. Wind onshore 17.9 GW fills the right half and background as dozens of tall three-blade turbines on lattice and tubular towers, rotors spinning visibly in moderate wind, scattered across gentle hills. Wind offshore 2.9 GW appears as a distant row of turbines on the far horizon, pale against hazy sky over a suggested northern coastline. Biomass 3.6 GW is rendered as a modest cluster of wood-clad biomass plants with short stacks and thin white exhaust plumes, nestled among trees at centre-left. Hydro 1.4 GW appears as a small run-of-river weir with churning white water in the lower-left foreground near a stream. Brown coal 1.4 GW is a single hyperbolic cooling tower far in the background at left, emitting a thin, subdued steam plume, dwarfed by the renewable infrastructure. Natural gas 1.2 GW sits beside it as a compact CCGT unit with a single exhaust stack and faint heat shimmer. Hard coal 0.1 GW is barely visible — a dormant smokestack with no plume, nearly hidden behind trees. The sky is afternoon bright at 15:00 in June, with layered cumulus clouds covering roughly two-thirds of a blue sky, sunlight breaking through in broad shafts illuminating the solar panels. The atmosphere is calm and expansive, conveying abundance and ease — a wide-open sky with no oppressive weight, matching deeply negative electricity prices. Vegetation is lush midsummer green, wildflowers dot meadow edges, temperature around 21°C suggested by light summer haze. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible confident brushwork, atmospheric depth with luminous cloud studies, meticulous engineering detail on every turbine nacelle, PV cell pattern, and cooling tower curve. The composition evokes a masterwork industrial landscape painting. No text, no labels.