Solar 32.0 GW dominates the foreground as vast fields of aluminium-framed crystalline silicon PV panels stretching across rolling green farmland under overcast but bright daylight; wind onshore 18.6 GW fills the middle distance as dozens of tall three-blade turbines on lattice and tubular towers with nacelles angled into a steady breeze, blades visibly turning; wind offshore 2.7 GW appears at the far horizon as a cluster of turbines rising from a faintly visible grey sea; biomass 3.5 GW sits in the mid-left as a modest wood-chip-fed power station with a low rectangular stack trailing thin white exhaust; brown coal 1.4 GW occupies the left background as two hyperbolic cooling towers with faint wisps of steam, dwarfed by the renewable infrastructure; natural gas 1.2 GW appears as a single compact CCGT unit with a slender exhaust stack barely producing visible emissions; hydro 1.2 GW is represented by a small concrete run-of-river dam with water spilling over a weir in the right foreground near a wooded riverbank. The sky is 88% overcast with a bright but diffuse milky-grey cloud layer at 15:00 full daylight, soft shadows, no direct sun visible but the scene is luminous. Temperature 15°C — lush green early-summer vegetation, wildflowers, rich grass. The breeze bends tall grasses and ripples a small pond near the solar field. The atmosphere feels calm and open, reflecting negative electricity prices — expansive, unhurried, generous light. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich saturated colour, visible impasto brushwork, atmospheric aerial perspective with haze in the distance, meticulous engineering detail on every turbine nacelle, every PV cell grid line, every cooling tower's hyperbolic curve. The composition evokes Caspar David Friedrich's sense of sublime scale but applied to an industrial-renewable landscape. No text, no labels.