Solar 27.9 GW dominates the right half of the composition as vast fields of crystalline silicon PV panels stretching across gentle green hills, their aluminium frames glinting under direct afternoon sun filtered through partial cloud; onshore wind 20.4 GW fills the centre and background as dozens of three-blade turbines on tall lattice and tubular towers, blades visibly turning in a steady breeze, scattered across rolling farmland; offshore wind 2.8 GW appears as a distant cluster of turbines on the far horizon suggesting the North Sea coast; biomass 3.6 GW is rendered as a mid-sized wood-chip power station at centre-left with a modest steam plume rising from its stack and a pile of timber beside it; brown coal 1.4 GW occupies the far left as a single hyperbolic cooling tower with a thin wisp of steam, small in proportion, partially obscured by trees; natural gas 1.3 GW sits beside it as a compact CCGT unit with a single slender exhaust stack emitting almost invisible heat haze; hydro 1.2 GW is a small run-of-river weir and powerhouse nestled along a stream in the foreground. The sky is mid-afternoon June daylight at 16:00, with roughly half cloud cover—scattered cumulus clouds drifting across a warm blue sky, direct sunlight breaking through in broad shafts. The atmosphere is calm and expansive, suggesting low electricity prices with open, airy space. Temperature is a mild 16°C; vegetation is lush early-summer green with wildflowers dotting meadows, birch and linden trees in full leaf. The overall style is a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting—Caspar David Friedrich meets industrial modernity—rich saturated colour, visible impasto brushwork, atmospheric aerial perspective receding into a hazy horizon, meticulous engineering detail on every turbine nacelle, every PV cell grid line, every cooling tower's hyperbolic curve. No text, no labels.