Wind onshore 28.0 GW dominates the scene as vast ranks of three-blade turbines on lattice and tubular towers stretching across rolling green hills from the centre to the far right, their rotors visibly spinning in strong wind; wind offshore 5.4 GW appears as a distant line of taller turbines on the hazy horizon above a sliver of grey-blue sea at far right; solar 15.3 GW fills the mid-left foreground as extensive fields of aluminium-framed crystalline silicon PV panels angled toward the low western sun, catching warm orange-gold light; biomass 3.8 GW is rendered as a modest wood-clad power plant with a single chimney and small steam wisp at left-centre; hydro 1.6 GW appears as a concrete run-of-river weir with turbine house nestled in a tree-lined river valley at lower left; natural gas 1.6 GW is a compact single-stack CCGT unit with a thin exhaust plume near the left edge; brown coal 1.4 GW is a single small hyperbolic cooling tower with faint steam, partially obscured behind trees at the far left; hard coal 0.6 GW is a tiny industrial stack barely visible beside the lignite tower. Time of day is 18:00 in June — dusk beginning, the sun sitting very low on the western horizon casting a deep amber-orange glow along the lower sky, the upper sky transitioning from warm blue to pale peach with scattered cumulus clouds covering roughly two-thirds of the sky, edges lit gold. Lush midsummer vegetation — tall grass, wildflowers, full-canopy deciduous trees — sways noticeably in the 23 km/h wind. The atmosphere is calm and open, reflecting the very low electricity price: spacious sky, gentle light, no oppressive haze. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich layered colour, visible confident brushwork, atmospheric perspective with hazy blue distances — yet every turbine nacelle, every PV cell edge, every cooling tower's hyperbolic curve is rendered with meticulous engineering accuracy. The composition conveys the serene industrial sublime of a renewables-dominated grid at golden hour. No text, no labels.