Solar 35.5 GW dominates the centre and right of the composition as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat green farmland, their surfaces reflecting a pale silvery-white overcast sky — no direct sunlight, only soft diffuse illumination. Wind onshore 20.9 GW fills the deep background and right third as dozens of tall three-blade turbines on lattice and tubular towers, blades rotating gently in moderate wind, scattered across rolling low hills. Wind offshore 4.9 GW appears as a distant line of turbines on a grey North Sea horizon at the far left. Brown coal 3.5 GW is rendered as two large hyperbolic cooling towers on the left foreground, issuing thick white steam plumes that merge into the overcast ceiling. Natural gas 2.4 GW sits just right of the cooling towers as a compact CCGT plant with a single tall exhaust stack and a thin heat shimmer. Hard coal 1.6 GW appears as a smaller conventional power station with a single squat smokestack beside the gas plant. Biomass 3.8 GW is depicted as a cluster of modest wood-clad biomass CHP buildings with short chimneys and neat wood-chip storage piles near the centre-left. Hydro 1.7 GW is a small run-of-river weir with a visible spillway in a river cutting across the lower foreground. The sky is a uniform heavy 98% overcast at mid-morning — full diffuse daylight at 11:00, no shadows, no sun disk visible, a luminous pearl-grey dome. Temperature is mild at 14 °C; lush green June vegetation covers fields and hillsides, trees in full leaf. The atmosphere is calm, tranquil, open — reflecting a near-zero electricity price. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich colour palette of muted greens, greys, and industrial ochres, visible confident brushwork, deep atmospheric perspective with haze softening the distant turbines, meticulous engineering detail on every nacelle, panel frame, and cooling tower. No text, no labels.