Brown coal 7.9 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the overcast sky; solar 10.2 GW occupies the centre-left as broad fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland, their surfaces dull and reflective under diffuse grey light with no direct sunlight; wind onshore 6.6 GW fills the centre-right as dozens of three-blade turbines on tall lattice and tubular towers, blades turning slowly in light wind; natural gas 5.0 GW appears as a pair of compact CCGT plants with single tall exhaust stacks emitting thin heat shimmer, positioned right of centre; biomass 3.9 GW is rendered as a mid-sized industrial facility with a wood-chip storage dome and a single modest smokestack with pale exhaust, placed in the middle distance; hard coal 1.9 GW appears as a smaller coal plant with conveyor belts and a single cooling tower at the far right; wind offshore 0.8 GW is suggested as a faint row of turbines on the distant horizon line; hydro 1.7 GW is represented by a concrete dam and penstock structure nestled in gentle hills at the far left background. The sky is entirely overcast with heavy, low, uniform stratiform clouds in shades of grey and pewter, pressing down oppressively — no blue sky visible, no sun, no breaks in the cloud deck. The lighting is the pale blue-grey of early dawn at 07:00 in June, with soft diffuse illumination from the east but no direct sunlight or warm tones. The temperature is cool at 9°C; vegetation is lush mid-June green but subdued under the flat light, with dew on grass. The atmosphere feels heavy and oppressive, reflecting the high electricity price. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark colour palette, visible impasto brushwork, atmospheric aerial perspective with haze in the distance, meticulous engineering detail on every turbine nacelle, every cooling tower's reinforced concrete ribs, every PV panel's aluminium frame. No text, no labels, no people in the foreground.