Solar 17.2 GW occupies the right third of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland, their surfaces dull grey reflecting only diffuse light under total overcast; brown coal 7.7 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes merging into the leaden sky, alongside conveyor belts carrying dark lignite; wind onshore 6.2 GW appears as a row of tall three-blade turbines on gentle hills in the centre-left middle distance, rotors turning very slowly in light breeze; natural gas 5.1 GW is rendered as two compact CCGT power blocks with tall single exhaust stacks and thin heat shimmer in the centre; biomass 4.0 GW appears as a mid-sized industrial plant with a wood-chip storage dome and modest smokestack to the right of centre; hard coal 2.0 GW is a smaller conventional power station with a single square cooling tower behind the gas plant; hydro 1.7 GW is suggested by a concrete dam and reservoir visible in a distant valley at far right; wind offshore 0.7 GW is faintly visible as tiny turbine silhouettes on the far horizon line. The sky is entirely blanketed in heavy, low, uniform stratocumulus at 100% cloud cover, oppressive and close, no blue visible anywhere, the light flat and grey-white — it is full morning daylight at 08:00 in June but without any direct sunshine or shadows. The atmosphere feels heavy and pressing, reflecting a high electricity price. Vegetation is lush mid-June green — tall grass, leafy deciduous trees, wildflowers — but colours are muted under the overcast. Temperature is cool at 10°C, suggested by slight mist near the ground and dew on the PV panel frames. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — with rich impasto brushwork, atmospheric depth and haze, meticulous engineering detail on every technology (visible turbine nacelles, lattice towers, panel wiring, cooling tower concrete texture, conveyor mechanisms), dramatic tonal range within the grey palette. No text, no labels, no people prominent.