Brown coal 7.4 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into a pitch-black, fully overcast night sky; natural gas 7.4 GW fills the centre-left as compact CCGT power stations with tall single exhaust stacks emitting thin heat shimmer, lit by harsh sodium-orange industrial floodlights; hard coal 2.1 GW appears centre-right as a smaller coal plant with a single rectangular stack and coal conveyors faintly illuminated; biomass 3.8 GW sits in the right-centre as a cluster of wood-fired CHP facilities with modest chimneys and warm amber glow from furnace openings; onshore wind 3.5 GW occupies the right portion as a row of tall three-blade turbines on lattice towers, their red aviation warning lights blinking faintly against the black sky, blades barely turning in 4 km/h winds; hydro 1.8 GW appears in the far right background as a concrete dam structure with spillway lights reflected in dark water. The sky is completely black with dense 100% cloud cover — no stars, no moon, no twilight glow whatsoever. The atmosphere feels oppressive and heavy, reflecting the high electricity price. The mild 14.7°C June night shows lush green vegetation faintly visible under the industrial lights — deciduous trees in full summer leaf along a riverbank. Sodium streetlights cast pools of amber on wet roads. A transmission line corridor of high-voltage pylons stretches across the middle distance, hinting at the massive import flows. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of deep navy, coal-black, amber, and burnt orange; visible textured brushwork; atmospheric depth with industrial haze diffusing the artificial lights; meticulous engineering detail on each facility. No text, no labels.