Brown coal 7.2 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by orange sodium lamps; natural gas 7.2 GW fills the centre-left as two compact CCGT plants with tall single exhaust stacks releasing thin heat shimmer, their turbine halls glowing with warm interior light; biomass 3.8 GW appears centre-right as a medium-sized industrial facility with a wood-chip storage dome and a single smokestack with faint exhaust, lit by security floodlights; wind onshore 2.9 GW occupies the right portion as a sparse row of three-blade turbines on lattice towers, their rotors barely turning in the still air, red aviation warning lights blinking at nacelle height; hydro 1.8 GW is visible in the far right as a concrete dam spillway with water gleaming under floodlights; hard coal 2.0 GW appears behind the brown coal complex as a smaller conventional power station with a rectangular chimney and conveyor belt structure. The sky is completely dark, deep navy-black, no moon visible, fully overcast at 100% cloud cover so no stars penetrate — the only illumination comes from industrial sodium streetlights casting amber pools, facility floodlights, and the incandescent glow of furnace openings. The atmosphere is heavy and oppressive, haze hanging low around the cooling towers, reflecting the high electricity price. Lush mid-June vegetation — thick deciduous trees in full dark-green leaf, tall grass — is barely discernible in the artificial light at the edges of the industrial complex. A wide river in the foreground reflects the amber and white industrial lights. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, saturated darks, visible impasto brushwork, dramatic chiaroscuro between deep shadow and artificial light, atmospheric depth with haze layers receding into blackness — rendered with meticulous engineering accuracy for each technology. No text, no labels.