Brown coal 6.9 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the overcast sky; natural gas 6.9 GW occupies the centre-left as a row of modern CCGT combined-cycle plants with tall single exhaust stacks venting heat shimmer; solar 4.4 GW appears in the centre as a broad field of aluminium-framed crystalline silicon panels on a gentle hillside, reflecting only flat grey light from the overcast sky, no sun visible; biomass 3.8 GW is rendered centre-right as a wood-chip-fired industrial plant with a squat boiler building, fuel storage silos, and a single smokestack; hard coal 2.0 GW sits to the right as a smaller coal-fired station with conveyor belts and a single large chimney; wind onshore 1.8 GW appears as a handful of three-blade turbines on a distant ridge, rotors barely turning in the still air; hydro 1.8 GW is suggested by a concrete dam structure with modest spillway in a valley at the far right; wind offshore 0.5 GW is a faint silhouette of two offshore turbines on a misty horizon line. The sky is pre-dawn at 06:00 in June: deep blue-grey light creeping from the east, no direct sun, the entire dome ceiling a uniform blanket of 100% cloud cover, heavy and oppressive to convey the 140 EUR/MWh price tension. Temperature is a cool 12.5 °C; lush green mid-June vegetation—tall grasses, deciduous trees in full leaf—glistens with morning dew. A thin ground mist lingers over the panel field and river valley. The air is utterly still. Sodium-orange lights still glow along an access road and at plant entrances, catching the steam plumes from below. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich's atmosphere merged with industrial realism—rich colour palette of slate-blue, warm ochre, and cool green, visible impasto brushwork, deep atmospheric perspective, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and panel frame. No text, no labels.