Brown coal 7.6 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers exhaling thick white steam plumes into the night sky; natural gas 7.5 GW fills the centre-left as a compact CCGT facility with tall slender exhaust stacks and glowing orange-lit turbine halls; biomass 4.1 GW appears centre-right as a wood-chip-fed industrial plant with a single squat chimney and conveyor belts under sodium floodlights; wind onshore 3.8 GW is rendered as a cluster of three-blade turbines on a distant ridge, their red aviation warning lights blinking faintly, rotors barely turning in the still air; wind offshore 2.7 GW is suggested by a row of turbines visible far on the horizon over a dark sea inlet, nacelle lights just visible; hard coal 2.7 GW appears as a smaller coal station with a single tall chimney and coal stockpile beside it, lit by amber industrial lights; hydro 1.8 GW is depicted as a concrete dam spillway in the far right middle ground, lit by security lamps reflecting off dark water. The sky is completely dark, deep navy-black with no twilight glow whatsoever — it is 22:00 in mid-June, fully nighttime. Scattered clouds at 55% cover are faintly visible only where industrial light catches them from below, giving them an oppressive amber-grey hue reflecting the high electricity price. The air feels warm and still at 21°C — lush summer foliage on deciduous trees is visible in the foreground, leaves motionless. The atmosphere is heavy and brooding, the industrial glow pressing upward against an unyielding dark sky. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich deep colour palette of blacks, deep blues, warm ambers, and stark whites from steam; visible impasto brushwork; atmospheric depth with haze around distant light sources; meticulous engineering detail on every facility. No text, no labels.