Solar 48.9 GW dominates the scene as a vast expanse of crystalline silicon photovoltaic panels stretching across rolling summer fields, covering roughly three-quarters of the composition, their aluminium frames glinting under blazing midday sun. Brown coal 3.9 GW appears at the far left as a cluster of massive hyperbolic cooling towers with lazy white steam plumes rising against the blue sky. Wind onshore 4.0 GW is rendered as a line of tall three-blade turbines on gentle green ridges in the mid-background, rotors turning slowly in light breeze. Natural gas 2.0 GW stands as a pair of compact CCGT plants with slender single exhaust stacks and minimal vapor, nestled between the coal complex and the solar fields. Biomass 3.5 GW appears as a modest timber-clad power station with a squat chimney and stacked woodchip silos beside it. Hydro 1.6 GW is suggested by a small dam and reservoir visible in a valley to the right background, water shimmering. Hard coal 1.6 GW shows as a smaller conventional power station with conveyor belts and a single rectangular cooling tower near the brown coal plant. Wind offshore 1.0 GW is hinted at on the far horizon as tiny turbine silhouettes above a faint blue strip of the North Sea. The sky is nearly cloudless — only 10% wispy cirrus — with intense direct sunlight at its zenith casting short, crisp shadows, the atmosphere bright and calm, conveying low electricity prices. Temperature of 28.8°C is expressed through lush deep-green deciduous trees in full summer foliage, golden-ripe grain fields between solar arrays, heat shimmer above dark panel surfaces, and a hazy warmth at the horizon. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's atmospheric depth merged with meticulous industrial-age realism. Rich saturated colour, visible textured brushwork, luminous sky. Every technology rendered with correct engineering detail: turbine nacelles, lattice towers, aluminium PV frames, hyperbolic concrete cooling towers. No text, no labels.