Brown coal 8.3 GW occupies the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium-orange industrial lighting; natural gas 9.3 GW fills the centre-left as a row of compact CCGT plants with tall single exhaust stacks venting shimmering heat haze, their turbine halls glowing with interior light behind glass facades; biomass 4.0 GW appears centre-right as a cluster of smaller industrial plants with cylindrical wood-pellet silos and modest chimneys trailing thin grey smoke; hard coal 2.9 GW sits right of centre as a single large coal station with a tall rectangular chimney and conveyor belt structures; hydro 1.8 GW is rendered as a concrete dam with illuminated spillway in the right background, white water catching artificial light; wind onshore 2.1 GW appears as a sparse line of three-blade turbines on a distant ridge, their rotors nearly still in the calm air, red aviation warning lights blinking; wind offshore 0.3 GW is a faint cluster of tiny turbine silhouettes on the far-right horizon. The sky is completely dark, a deep black-navy vault with a scattering of stars visible through perfectly clear atmosphere — no twilight, no sky glow, only the artificial illumination of the industrial plants casting pools of amber and white light across the landscape. The air feels heavy and warm, a summer night at nearly 25°C, with lush green deciduous trees and tall grass in the foreground barely visible in the darkness. The overall atmosphere is oppressive and brooding, reflecting the extreme electricity price — a thick, weighty stillness hanging over the industrial panorama. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters, with rich dark tones, visible impasto brushwork, dramatic chiaroscuro between the glowing industrial facilities and the surrounding darkness, and meticulous engineering accuracy in every cooling tower, turbine nacelle, exhaust stack, and conveyor structure. No text, no labels.